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October
'08 2.1 Jiari
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September
'08 1.8 Jiari Restoration (updated)
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September
'08 1.8 Jiari
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September
'08
1.8 Jiari
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August
'08 1.8 Jiari
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September
'07 2.0 Jiari
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August
'05 1.8 Jiari
(audio samples now online)
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1.8 Jiari February, '05
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Why
do I make shakuhachi? It is a great joy and inspired medium for
me--one of the most humbling, rewarding things I have done. Just when
one thinks "Ah... now I understand!", try duplicating what
you thought you understood. In part, maybe that is why, out of the
many countless bamboo shakuhachi ever made, no two look or sound exactly
alike.
While I do devote a considerable amount of time to the exterior and
fine aesthetic details (just part of my style), it is meaningless
if the shakuhachi does not play well, and sound beautiful. If I set
it down after playing a while, and can't say "What a great shakuhachi
...", it is not finished.
I tend to make subtle tone adjustments over a long period of time,
averaging
just a handful of instruments every couple of years.
While the shakuhachi I make are primarily for my own use, I do, on
rare occasions, make one available for sale; info will be listed within
the text on its respective page.
One could wonder why, since I am not in the "business" of
making shakuhachi, would I stamp it? I also wonder that. I think it
is a legacy thing, just as an artist, good or bad, signs their work.
Perhaps, someone in the near future, and/or eons down the road, will
ponder the life of the conduit, and how this work came to be? Or,
if it's really crappy, they will know who to blame.
Loosely,
the intended meaning of my hanko was... "to drink from the great
river". As I am told, the combination of kanji I selected is
readable as "Inga", which goes
back thousands of years, spanning many cultures, and with many different
meanings: "Rest a while", "The law of cause and
effect", "A tree or unusually strong wood", just
to name a few. In this case, it is more a pronunciation of the actual
kanji, which can also be pronounced "Nomukawa", of which
there is no word in Japan.
While
I have made many shakuhachi, it is only very recently that I feel
my quality level is such that I am willing to actually put my mark
on one. When I do, that shakuhachi will
have a very special quality about it. Thanks for reading!
Derek Van Choice
October 13, 2008: Having just finished the 2.1 today, I will
be concentrating on the restoration of a vintage, 2 piece
jinashi over the next week or two. After that, work begins
on a very stout, virgin 1.6 culm.
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